Hi, I'm TomCreator
& Product
Designer

I'll bring your vision to life

Drag & movePitch Deck SystemA corporate slide deck system for an 800+ person software house: 60+ masters, asset library, and documentation embedded in the file.Click & exploreCollage of slides from a corporate pitch deck system: colorful abstract cover masters, content layouts with copy and photography, and a portrait of a presenter.Drag & moveWebsite RebrandRebranding multi-page website for a Swedish IT and quality assurance consulting firmClick & exploreIllustration of a smiling man in a suit holding a coffee mug, surrounded by playful teal doodles of code, charts and business icons - key visual for a rebranded consulting website.Drag & moveAllergy Diary AppAllergy tracking app I've built solo from start to finish. Design, code, and implementation: Claude Code, React + Next.js, shadcn.Click & exploreHand holding an iPhone with the “Dziennik Alergika” allergy diary app open, standing in a sunlit birch meadow with pollen visibly floating in the air.
Offer package “Launch Package” (pack #3): a brand plus a designed, coded and implemented landing page in 4 weeks - delivered end-to-end by one person in a single sprint, with no designer-to-developer handoff. From 3200 EUR.Offer package “Brand From Scratch” (pack #2): a complete, market-ready brand in 3 weeks - concept, logo, identity, key visual, mockups, social templates and a mini brand book. From 1800 EUR.Offer package “Clickable Prototype” (pack #1): a working React and Next.js app prototype in 2 weeks, deployed to show investors, tenders or early adopters - real code and a foundation for further development, not a mockup. From 2000 EUR.
Portrait of Tom Woloszyn lit with red and teal light.Tom WołoszynAbout
Collage of slides from a corporate pitch deck system.

Pitch Deck System

RoleLead Designer
Skills
  • Design Systems
  • PowerPoint / PPTX
  • Documentation
  • Sales Enablement

Overview

Future Processing - a software house with 800+ people - was shipping every client pitch from a slightly different file. Sales reps kept local copies of the old template, logos and CI assets lived in chat threads and shared drives, and a new deck usually meant rebuilding from scratch. By month three, no two decks looked the same and nobody knew which one was current.

The real design challenge was not the slides.

It was removing every reason to go back to the old file.

Solution

I designed a deck system, not a deck: a single PPTX Master file split into nine sections, each solving a specific job in a sales conversation with its own layout rules and component library. Anyone in the company can now assemble a new pitch in about 20 minutes without opening a design tool.

The system in numbers:

  1. pre-designed slides covering every sales scenario.
  2. section types with strict layout rules and live components.
  3. employees building on-brand decks from one Master file.
  4. source of truth, with documentation embedded inside the file.
  5. to assemble a new pitch, no design tool required.

Inside the system

Reflection

The hardest part was not drawing 60 pretty layouts - it was removing every excuse to open the old file. That meant shipping the asset library, the icons, the palette and the writing rhythm in the same PPTX, and putting a short "Read Before Use" section right at the front so a new user sees how to use it before they see the cover.

The outcome: the longest-running template in company history (adoption), one source of truth for 800+ employees (scale), and fewer revision requests with faster client delivery (speed). Not because the slides are prettier - because there is no reason left to go back to the old file.

Tools & Technologies

  • PowerPoint
  • Figma
  • Illustrator
  • Photoshop
  • PPTX Template
  • Design System
  • Documentation
See the full case on Behance
Key visual for the rebranded Iceberry consulting website: a smiling man in a suit surrounded by hand-drawn teal doodles of code, charts and business icons.

Iceberry - Website Rebrand

RoleBrand & Web Designer
Skills
  • Brand Identity
  • Key Visual
  • Illustration
  • Web Design
  • Motion / Web Animation

Overview

Iceberry is a Swedish IT and QA consulting firm (iceberry.se) that came to us at Future Processing wanting to attract new clients and stop looking like every other consultancy on the market. The brief was a full refresh: a rebranded logotype, a new colour system, and a completely different breath for the website - with one hard requirement, it had to stand out with something genuinely original.

The client did not want another consulting website.

They wanted a consulting company that stopped
looking like one.

Solution

I built a key visual that fused real photography with hand-drawn doodles and marker illustrations - a human layer laid on top of a business photograph, so a B2B company could speak in a language B2B usually does not. On top of that, I drew a full custom icon set by hand and carried it through the whole site as one consistent visual system.

What made up the rebrand:

  • A new logotype and refreshed colour system.
  • A key visual combining real photography with hand-drawn doodles and marker strokes.
  • A full custom, hand-drawn icon set carried across the entire site.
  • On-page animations for the key visual and selected icons, running natively in the browser.
  • End-to-end delivery by a two-person team: design (me) and development (Marcin).

Custom hand-drawn icon set

Zoomed in - the hand behind the line stays visible.

Reflection

The hardest part was not the drawing - it was the year. This shipped in mid-2022, before the current wave of tooling for interactive web animation had settled in. Every animated element had to be hand-wired into a live page with Marcin on the dev side, frame by frame, so the doodles kept their hand-drawn feel inside the browser instead of turning into stiff, obviously-digital loops.

The outcome: a consulting site that stopped looking like a consulting site, a full illustrated system the client could reuse beyond the website, and a happy handover - shipped, live, and doing its job.

Tools & Technologies

  • Illustrator
  • Photoshop
  • After Effects
  • Figma
  • Lottie
  • SVG Animation
  • HTML / CSS
  • Hand-drawn Illustration

The original site is offline, but a working copy lives here as part of this portfolio.

See the site
The “Dziennik Alergika” allergy diary app on an iPhone.

Allergy Diary App

RoleProduct Designer & AI-Assisted Developer
Skills
  • Prototyping
  • AI Coding Tool Proficiency
  • AI Security & Trust
  • Database & Software Architecture

Overview

After a visit to the allergist with my son, the doctor asked me to keep a log - symptoms, reactions to pollen, meds taken - and bring it back next visit. I did not want another paper notebook, so I decided to properly get to know Claude Code and build the tool I actually needed. No team, no big budget - a few late evenings and a few burned tokens.

The brief did not come from a client.

It came from a doctor asking me to keep a log.

I wanted something simple:

  1. Info about what is pollinating in my area today and how strong it is.
  2. A fast calendar entry with overall mood and the meds given.
  3. Monthly reports I can print for the doctor.
  4. Bonus feature: chat with an in-app AI assistant about entries and correlations with meds.

Solution

Built solo end-to-end with Claude Code. PRD and the first working build shipped the same day - roughly 3 hours from PRD to a working MVP. Then regular evening sessions across a few weeks: not a sprint, just consistent adding and testing.

Adding an entry: mood, meds, symptoms - all in one screen.

Talking to the AI assistant about the second week of May.

The daily loop is intentionally tiny: one screen, one entry, mood + meds, done in seconds - so I can log while my son is in the room. Pollen levels for my area load automatically from Open-Meteo (no good free Polish API). A monthly report view exports everything the allergist needs, in the order they asked for it.

On top of that sits an in-app AI assistant that answers questions about the entries and can correlate them with the meds taken. The same assistant is also reachable from the outside via API or MCP with your own token, so future integrations do not depend on me touching the code.

Inside the app

Reflection

For someone non-developer who stopped at HTML and CSS, this was a big "Wow!". Earlier attempts at AI image generation felt like the tool was stepping on my design turf. With Claude Code it is a different story: it feels like talking to a dev and handing off tasks. With a solid plan the tool ships, and if you talk to it well it will suggest things too.

Drake meme comparing generating images vs. building with Claude Code.

Tools & Technologies

  • Claude Code
  • Notion
  • GitHub
  • Vercel
  • xAI
  • Next.js
  • React
  • Tailwind
  • Supabase
  • Prisma
  • Open-Meteo API

Want to try it?

The demo is open, poke around and send questions.

Open the demo
Launch Package pouch: brand plus landing page in 4 weeks.

Launch Package

A brand plus a designed, coded and implemented landing page - from one person, in one sprint. No stitching a designer to a developer, nothing lost in translation between them.

Time4 weeks
PriceFrom 3200 EUR

For whom

Founders and small teams that need to go live with both a brand and a working landing page fast - an early-stage product, a new service line, a fundraising site - without hiring a separate designer, developer, and project manager and paying to keep them aligned.

What's inside

Everything from Brand From Scratch (concept, logo, identity, key visual, mockups, social templates, mini brand book) plus a landing page designed, coded in Next.js + Tailwind, and deployed live on Vercel. One person from first sketch to production, so nothing gets lost in a handoff.

Pricing

  • Full brand basics (logo, identity, key visual)
  • Landing page - design + copy structure
  • Coded in Next.js + Tailwind
  • Deployed live on Vercel
  • 50/50 payment, VAT invoice, remote (PL/EN)

From 3200 EUR

Brand From Scratch pouch: complete brand ready for market in 3 weeks.

Brand From Scratch

A complete, market-ready brand in 3 weeks: concept, logo, identity, key visual, mockups, social templates, and a mini brand book. I've built brands with my own hands and my own money - I know what's needed and what's just agency filler.

Time3 weeks
PriceFrom 1800 EUR

For whom

A new company, a new product, or a rebrand that has to be on the market in weeks, not months. For founders who want a ready-to-use system - not a 40-page brand book and no assets to actually ship with.

What's inside

Concept and naming direction, logotype and full identity, a key visual you can build a whole campaign on, product and packaging mockups, social templates ready to post, and a mini brand book so anyone on the team can stay on-brand without asking.

Pricing

  • Concept + logotype
  • Identity system + key visual
  • Product / packaging mockups
  • Social templates
  • Mini brand book
  • 50/50 payment, VAT invoice, remote (PL/EN)

From 1800 EUR

Clickable Prototype pouch: working React and Next.js app prototype in 2 weeks.

Clickable Prototype

A working React and Next.js app prototype in 2 weeks, deployed so you can put it in front of investors, tender committees, or early users. Real code, not a mockup - a foundation to extend, not throw away.

Time2 weeks
PriceFrom 2000 EUR

For whom

Founders and product teams who need to prove an idea works - to investors, in a tender, or with first users - and want a real, clickable app instead of another Figma prototype that falls apart the moment someone hits it with a real question.

What's inside

A working app prototype in React + Next.js, built with the same stack I ship production apps on (Tailwind, shadcn, Vercel). Deployed to a live URL you can share, with the code and repo handed over - so whatever gets built next doesn't start from scratch.

Pricing

  • Working clickable app prototype
  • Real React + Next.js code
  • Deployed live for demos
  • Repo + handover, foundation to extend
  • 50/50 payment, VAT invoice, remote (PL/EN)

From 2000 EUR

A woman in a hand-crocheted Polisze beanie crouches in golden evening light, holding a small dog dressed in a printed Polisze sleeve.Polisze signet with a hidden heart.

Polisze

RoleFounder, Designer & Maker (self-initiated)
Skills
  • Brand Identity
  • Hand Printing / Craft
  • Upcycling
  • Storytelling

Overview

Polisze (@polisze_diy) is my hobby brand - hand-printed, upcycled clothing I make with my family, just to leave something of my own behind. No growth targets, no chasing followers or views. It is in this portfolio because it is the clearest proof of what I do when nobody hands me a brief.

The Polisze signet embossed by hand into a piece of leather.

A brand isn't a logo file.

It's the thing that still makes sense
ten years later.

Where it started

My streetwear itch started with skateboarding - late-90s Poland, the first skateshops, original graphics not just on decks but on tees and hoodies. Brands like Blind and Element hit me early; magazines like Ślizg showed a completely new visual language. That pulled me toward making my own tangible things.

The name came around 2010, from a single t-shirt: a warm, low-key answer to the aggressively patriotic designs everywhere back then. Friends shortened it to "Polisz", a little heart landed on a hand-lettered map of Poland, and it stuck. Since the kids arrived I have let the Polishness angle go - today Polisze is simpler: a family workshop, a space where we get to make things.

What it is now

Not a shop - a diary of family making. I do the graphics and the print, my wife crochets the hats, the kids' drawings become fabric designs, and the dog keeps showing up as a recurring character. Three things hold it together:

  • Sustainability - a second life for clothes already in circulation, instead of adding to an oversaturated textile market.
  • Craft - Montana spray, hand-cut stencils, fabric paint, heat-transferred kids' drawings. Deliberately anti-mass, anti-AI.
  • Family creativity - not a decoration but the one thing no competitor can copy, and a way to model entrepreneurship for my kids.

Built by hand, piece by piece

Lettering, print, stamps, packaging, caps, crochet - the whole brand made in-house.

Ten years of it

The whole diary lives on Instagram - hover to pause.

What's the value of this for you?

A passion project belongs in a portfolio because it shows how I think unpaid. Hire a designer and you are not buying a logo file - you are buying judgment that holds up when something unexpected hits. Polisze is where I prove I work that way by default:

  • I have run a brand end-to-end - product, print, content, sales - with my own money on the line. I know it from the owner's side of the table, not just the designer's.
  • I design for the problem you haven't hit yet. The glasses we wear on camera started as a look and quietly became privacy protection for the kids.
  • I build for the long game - what still makes sense in ten years, not just this quarter.

The deliverable is the easy part. The value is the wider perspective behind it: someone who sees the whole board and hands you one less thing to worry about.

See it live

The whole diary lives on Instagram - prints, packaging, and the dog.

Visit @polisze_diy
A pile of Szkicopis notebooks - the yellow "Biala Krata" with its printed wrap, plus grey and cobalt covers with the hand-lettered logo.Szkicopis "Polska manufaktura" seal, dated MMXVII.

Szkicopis

RoleFounder, Designer & Maker (self-initiated)
Skills
  • Brand Identity
  • Product Design
  • Illustration
  • Print / Riso

Overview

Szkicopis (@szkicopis) is a notebook brand I started in 2017 - designed, printed, packaged and sold end-to-end with my own money. No client, no brief: just an idea for a physical product and the will to actually ship it. It is in this portfolio because it is proof I can take a product from a hunch all the way to something people buy.

A pile of Szkicopis notebooks in yellow, navy and grey editions.

Product from a hunch

to something people actually buy.

Where it started

The idea was a notebook that disappears when you scan it. Ordinary ruled paper fights you the moment you photograph a sketch - the lines end up in every scan. So I printed the liniatura white on white: dots, grid or lines you can just make out while you write, that drop out completely under a scanning app. You get the guidance on paper and a clean digital copy for free.

I built it as a proper Polish manufaktura - small batches, printed and bound at home in Poland, with covers illustrated together with Polish artists as riso-style prints. The MMXVII on the seal is where it started.

What makes it different

Not another kraft-paper notebook. Three things set Szkicopis apart:

  • The disappearing ruling - dot, grid and line versions printed white-on-white, so the guide stays on paper and never shows up in a scan.
  • Covers by Polish illustrators - each edition is a small riso-style collaboration, so the notebook doubles as a piece of print.
  • Made in Poland, in small batches - designed, printed, bound and packed by hand, not drop-shipped.

From sketch to clean scan

The whole idea in three steps - the illustrated instruction from the first series.

OFF Festival logo

When a shop and a festival came knocking

Word got around. Geszeft, a design shop in Katowice, reached out about working together - and brought in OFF Festival, the independent music festival curated by Artur Rojek. Together we prepared a special edition of the Zeszyt made for the event: the same disappearing-ruling idea, wrapped in a cover built for the festival. Proof the product was pulling people in on its own - not just sitting on my shelf.

Shipped, not just designed

The whole run lives on Instagram - hover to pause.

What's the value of this for you?

A self-funded product belongs in a portfolio because it shows I can carry an idea past the pretty mockup. Hire me and you get someone who has:

  • Taken a product end-to-end - concept, print and packaging design, photography, the online shop and the actual selling. I have stood on the owner's side of the table.
  • Designed a real feature, not a decoration - the white-on-white ruling solves a concrete problem, and the whole brand is built around it.
  • Shipped on a real budget - my own money, small batches, print deadlines and postage. I know what "done" actually costs.

A logo is the easy part. The harder, more useful thing is judgment that survives contact with a printer, a budget and a customer - and that is exactly what a product you funded yourself forces you to build.

See it live

Covers, patterns and the disappearing ruling - the whole run lives on Instagram.

Visit @szkicopis

Hi, I'm Tom

Creator & Product Designer

I'll bring your vision to life

Download Resume

Multiskilled Product and Visual Designer with 15+ years across branding, websites and print. For the last 10 of those, I have mainly worked with a software house - design systems, pitch decks, animation, presale support.

Recently I have been shipping working apps with AI features built in - directing Claude Code through the full build, from scratch to production, using React + Next.js (shadcn, Tailwind, GitHub, Vercel).

Open to B2B partnerships - product design, prototyping, and design systems for software teams.

Toolbox

  • Figma
  • Photoshop
  • Illustrator
  • Claude Code
  • Cursor
  • GitHub
  • Vercel
  • Notion
  • After Effects
  • Premiere
  • PowerPoint
  • Keynote
  • Midjourney
  • Firefly
  • React
  • Next.js
  • Tailwind
  • shadcn/ui
  • HTML / CSS
  • Design Systems
  • Prototyping
  • Motion Design

Clients

Ten years at agencies (GONG, AMP Media) meant key visuals, campaigns and websites for major brands - Żywiec, Knorr, L'Oréal, Aviva, Algida, Maspex, Ecco. Below: a slice of that work.

  • Żywiec
  • Algida
  • Knorr
  • Aviva
  • Maspex
  • Future Processing

Selected work - hover to pause.

Other work

Certificates

  • AI Product Masterclass - Nueve (2026, in progress)
  • Certificate of completion: Claude 101 - Anthropic (2026)
  • Crafting Dynamic Websites With Adobe Software - IT MEDIA Training Centre (2010)